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Old review: M. Night Shyamalan reveals the scariest thing of all is ageing

The filmmaker behind The Sixth Sense returns with a story about the horrific fate that all of us cannot avoid, not about ghosts and tree monsters.

Seriously, is there anything more scary than the devastation of age?

Horror and thriller movies can prey on our horrors, such as ax murderers, stalkers, ghosts, and ventriloquism dummies, but it’s very unlikely that you’ll actually encounter any of these.

But aging? That is inevitable.

When we breathe in every breath, utter every syllable, and take every step, our cells are deteriorating. We get up in the morning and take time to get out of bed. If you stand too long, your hips will sit down and let you know.

If you’re lucky, most of us will take decades to experience the elicited process. But what if you only have 24 hours?

That is the treatise at the heart of M. Night Shyamalan’s latest film. old..

Inspired by graphic novels Sand castle Pierre Oscar Levi and Frederik Peters, uneven thriller old We are following a group of people staying at a luxurious island resort.

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There are Guy (Gael García Bernal) and Prisca (Vicky Krieps) and their little children Trent and Maddox. Guy and Prisca have gone through a rough patch and want to give their kids one fun vacation before they break up.

The resort also has prominent doctor Charles (Rufus Sewell), his wife Crystal (Abbey Lee), and their young daughter Kara. In addition, his mother Agnes (Kathleen Chalfant) and her little terrier.

The group concludes with psychiatrist Patricia (Nikki Amuka-Bird) and nurse Jarin (Ken Leung).

On the second day, vacationers are dropped off on an isolated beach on the other side of the island. It is only accessible through a narrow passage between the towering rocks that surround the sand.

When a corpse is floating, relaxing in the sun or playing with water turns into horror. And other things start to get weird – like kids aging into teenagers in a few hours (and now portrayed by Thomasin McKenzie, Alex Wolff, and Eliza Scanlen).

Something on the beach makes everyone there every 30 minutes about a year old, and they don’t seem to be able to leave. It’s a race against the greatest enemy of time (oh, the one who really knows something is race!).

Shyamalan is known for his narrative twist, old The filmmaker behind, who doesn’t have the right resolution sixth sense And Sign Write it for the movie so that the audience looking for the answer can get it.

Whether the large exposure is satisfactory or anti-climatic is not really important. old It’s much more important about what happens on the beach, not how or why.

Rapid aging is just a plotting device for exploring the character’s response to truncated lifespan, but it also explores the dreaded fear of the rapidly deteriorating body. From the rapid onset of mental illness to the loss of sight and hearing, it’s more scary than jump scare and the shadows behind it.

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Especially outside the core family groups of Guy, Prisca, Maddox, and Trent, the stories aren’t always stitched together because of the momentary features. As a result, their investment in danger is only shallow.

Even though crackers such as Bernal, Creeps, and Mackenzie naturally take advantage of your compassion, they don’t necessarily care if they survive.

Instead, there are neon post dialogues such as “Stop leaving this moment” and “You are too young”, and there are some annoying transitions from one scene to another.

But if you can set it all aside old There are some things you should have, purely for the thrill of its internal organs.

He has always been an interesting visual filmmaker, even when Shyamalan’s thematic ambitions have failed.To old He uses a lot of wide-angle panshots and cutaways to convey the confusion that the character felt. It’s all designed to make the audience uneasy.

And the dazzling sunshine of more than half of the movie only drives home that everything is wrong, and you can’t hide from it. However, he is hampered by a peculiar beach setting (the choice of location most likely born from a pandemic mid-shoot) in keeping it dynamic.

old Not scary in the traditional horror sense, but some characters are really your gods and are dying horribly, but the premise is that there is something interesting about how time takes everything. There is. It hasn’t been fully realized.

Evaluation: 2.5 / 5

The old ones are now in the cinema (excluding the closed area)

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